Truck Stop at the Center of the Galaxy

Hi all!

I can’t believe it’s been a month since I last posted. Jeez, I have great intentions for a steady schedule, but….we all know how that goes!

Truck Stop Tuesday was last Tuesday already and I wanted to let you know about the third story in the Truck Stop series, “Hippolyta’s Dagger” by the talented L.A. Jacob. In addition to writing Carnival Farm, which I reviewed last November (and really enjoyed), she’s written two fantasy series published with Water Dragon Publishing (a Paper Angel Press imprint), Grimaulkin and War Mage, as well as a number of other works, which you can find on her website. Besides being a prolific author, L.A. Jacob is also the host of the Small Publishing in a Big Universe podcast. She’s also been curating submissions for the Water Dragon short story program, submissions I’m now reading. (Which is so much fun!)

Anyway, here’s my review:

Hippolyta’s Dagger” by L.A. Jacob

Someone’s always watching.

Graduate student Laurie Miller makes an unexpected find while working at an archeological excavation site in the Orange Quadrant.

When she learns that the head archeologist has taken credit for her discovery, her revenge comes from a surprising and ancient source.

This is another story in the Truck Stop series with several universal themes: power, privilege, gender, prejudice.

Laurie Miller, a student in archaeology, is completing her graduate studies under the preeminent, and pompous, Dr. Tom Jameson, an expert on the Orange Quadrant, the area currently under examination. Their excavation effort has been on-going for many months now, with nothing, other than dust, to show for it. Unusually, the site is guarded by sentinel bots, who look like a lot like Spartan warriors in their metal skirts, chain-mail breastplates, and bucket-like helmet; complemented with seriously pointed spears.

When Laurie finds something unexpected, and knows that Dr. Jameson will take full credit, her blood boils. But revenge comes in unusual ways…!

This is an fun story and a quick read, one you’ll definitely enjoy.

Favorite sentence: “Writing in minimum gravity, while wearing a clunky space suit fit for an overly tall human male, seemed to be more difficult than impossible.”

Interview with Small Publishing in a Big Universe

Hey everyone,

Check out my interview with the folks at Small Publishing in a Big Universe! It was a pleasure to talk with host (and prolific author) L.A. Jacob about books, writing, and publishing. It’s fairly short; just about 20 minutes – you can listen here or get it on your favorite podcast app.

In celebration, the ebook editions of the Shelby McDougall Mystery Series are on sale this week and through the weekend, April 13th – 17th for just 99¢ each!

Or, click below for purchase options:

Book 1: Due Date

Book 2: The Stork

Book 3: The Found Child

In the next couple of weeks, I’ll be doing a post for the Paper Angel Press monthly blog theme, so stay tuned!

Until next time,


Truck Stop at the Center of the Galaxy

Hey everyone,

Paper Angel Press has a new short story series underway, with the first story released several weeks ago, and the next to be released on April 12th. Stories will be released monthly, on Tuesdays, so get ready for Truck Stop Tuesdays! Based on the first two stories, “The Stargazer Gift Shop” by Steve Soult and “Coke Machine” by Vanessa MacLaren-Wray, this series is a winner.

At the center of the galaxy rests a mystery — a fully-functional space station abandoned by an alien race for centuries.

Now a thriving hub for interstellar commerce and tourism, the station still contains more mysteries than you might imagine …

Both of these stories blew me away. I was taken with how both authors, from the first sentence, created a fully-functional world in such a compressed format. The characters are alive, the plots are quick and nimble, and the setting is fantastic. The premise is brilliant; this series is going to be so much fun. You can purchase the stories as they are released; the full complement of stories will be out as an anthology sometime in 2023, but I suggest not waiting — read them as soon as you can!

My reviews of the first two stories in the series are below:

The Stargazer Gift Shop” by Steve Soult

What would you buy at the Stargazer Gift Shop at the center of the galaxy?

Would you buy a soft drink, science kit, makeup, data disk, gumball, something else, or perhaps nothing at all?

While you are there, Rhoda will always be very happy to help you find the perfect gift.

On the surface, this is a sweet story about an android, Rhoda, who works in a gift shop at the center of the galaxy. She’s getting older, is eager to help, and worries about being shut down and her components farmed out. Rhoda is fully invested in her community and her job. She worries about the other androids working in the station and checks in with them during the course of the day. She enthusiastically helps out folks who wander into the shop, having to react quickly to avoid sticky situations. She has an ugly confrontation with a family of tourists, who, through some fast thinking and a small measure of grace, she manages to connect with in a positive way.

I love science fiction for its ability to reflect social justice issues. This story accomplishes that brilliantly. As the story unfolds, you’ll find universal themes: community, empathy, and kindness; along with privilege, prejudice, and power. As I read the story, I found myself resonating with the daily challenges of anyone working with the public — you never know what’s coming.

Favorite sentence: “It’s always nice to be fully charged in the morning, she [Rhoda] thought. That way I can get through the day without having to conserve energy.

Coke Machine” by Vanessa MacLaren-Wray

Every truck stop needs a coke machine.

What a way to die — coated in sticky effluent, upside-down in a disused access tube, lost forever in a drifting, abandoned, bankrupt trader ship.

Skip-ship engineer Marichka’s busy with a fire, a faulty Ancient-tech component, and now the etheric cabling’s sprung a leak.

Could everyone just shut up already?

Just like MacLaren-Wray’s full-length book, All That Was Asked, this story captured me right from the get-go. The author has an uncanny ability to draw the reader all the way in, starting with the first sentence, and not letting go until the hapless reader surfaces for air at the end. The story takes place in the compressed engine quarters of a ship, where Marichka, the ship’s engineer, is floating in a vat of goo, trying to make life-or-death repairs before the engine overheats, incinerating the ship and its crew.

Maclaren-Wray’s imagination is brilliant, bringing her world to life with vivid imagery and fierce characters. And her strong knowledge of engineering and physics, along with her attention to mechanical detail, pull the reader into a vortex of adrenaline-fueled, realistic action. It’s thrilling!

Favorite sentence (which happens to be the first sentence!): “Hanging upside down, lungs on fire, fingers sizzling with bad information, I’m trying to reconstruct a joke I heard once, back in my beer-clouded apprentice days, a long story ending in a terrible pun.”


That’s it for today — hope you enjoy these stories as much as I did.

Until next time,


Back to the Classics

Hey everyone,

At the beginning of 2022, Paper Angel Press revived the monthly blog post theme, where authors who are interested all blog on the same theme. I’m a little late to the table, but the February 2022 theme is “What book(s) influenced you the most when you were a young adult (12-18)?” This topic intrigued me, and after a lot of thought I came up with one.

I was lucky to have an amazing English teacher in high school, a man named Mr. Shivers. He was truly a lover of the written word and was able, somehow, to bring American literature to life, with joy and sparkle. His lectures were illuminating and insightful. This is from a perspective of many years past, so I may be forgetting things (lots of things!), but I do remember sending him a thank you letter as an adult, so I know I learned a lot from him about writing.

I specifically remember reading Sister Carrie by Theodore Dreiser in Mr. Shivers’ class. Sister Carrie was written in 1900, and in brief, tells the story of Caroline Meeber, Carrie, who leaves her small Midwestern hometown at age 18 to find a new life in the big city of Chicago. Carrie is young, innocent, and naïve, but has a longing, a sense that there is more in the world than what she’s experienced so far. What sticks with me all these years later is the detail, the marriage of internal and external, and Dreiser’s ability, within the first paragraph, to show the reader where Carrie came from and, by foreshadowing, where she hoped to go. In that paragraph, he deftly articulated the setting and the main character without sentimentality or judgement.

When I think of this book now, so many years later, I’m inspired by Dreiser’s fearlessness. In a time of Victorian morals, he took a bold leap, writing about unmarried people living together, about Carrie’s affair with a married man, about despair, and about hope. Such a change from The Scarlet Letter published in 1850, the classic tale of the “fallen woman”. Dreiser wrote about things you weren’t supposed to write about. In fact, after the book was accepted for publication by Doubleday, it was shelved, as a wife of one of the publishers found it too sordid. Dreiser insisted that Doubleday honor the contract, and in 1900, it was published with a run of about 1,000 books. But due to lack of publicity, less than half the books were sold.

In spite of that, the book went on to become an American classic: Sister Carrie has been called “the first masterpiece of American naturalism…” (from In his Nobel Prize Lecture of 1930, Sinclair Lewis said that “Dreiser’s great first novel, Sister Carrie, which he dared to publish thirty long years ago and which I read twenty-five years ago, came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman…” (from

Even so, Dreiser has been tagged as a writer who couldn’t write: “Dreiser’s reputation has always been vexed, and the long debate over his stature has been accompanied by a secondary debate—a malignant shadow of the first—devoted to the question of whether he could write at all.” (The Cost of Desire by David Denby, The New Yorker, 2003). But Denby does wonder where we would be without Theodore Dreiser and Sister Carrie.

When I surf around on the web, I don’t see any indication that Sister Carrie is still taught in high school. I know the themes are outdated and the writing likely tedious and plodding at times. I’m sure that high school teachers would have a hard time making the book relevant and relatable. But I did discover Reading Sex and the City, edited by Kim Akass and Janet McCabe. Published in 2004, it’s an academic critique of the TV show and the life and times of Carrie, Miranda, Charlotte and Samantha. In fact, Chapter 5, titled, “Sister Carrie Meets Carrie Bradshaw: Exploring Progress, Politics and the Single Woman in Sex and the City and Beyond” appears to be a compare and contrast of the two Carries. Hmm….

Well that’s enough from me, an interesting detour down memory lane. To see how other Paper Angel Press authors met this challenge, check out Thoughts on Themes on their website.

Until next time,


Podcast with Jenn Broda

Hey everyone,

Earlier this month, Small Publishing in a Big Universe interviewed audiobook producer and narrator Jenn Broda. She has produced many titles in the Paper Angel Press catalog, including the Shelby McDougall series as well as the Shelby McDougall short story Treasure Hunt. I couldn’t have been happier with how she brought my characters to life.

I knew that narrating and producing an audio book was much more than just reading the book out loud. But I didn’t know how much more! In the podcast, Ms. Broda goes into detail about what’s involved: the preparation, the narrating, the editing, the re-editing, the technical requirements.

One piece that I never thought about was the emotional impact of being an audiobook narrator: what if you don’t like a character? Or the story? Or what if some aspect of the story resonates deep within, touching on something personal? As a reader, you can just put the book down and let it go. But as a narrator, you have to stick with it, put your own feelings aside, and continue with the job ahead.

Another thing I didn’t know was that each hour of audiobook can take six to eight hours of production time. Wow! And I thought writing required a lot of editing and re-dos! First, the producer has to study the novel to understand the characters, plot, and setting, likely taking a lot of notes about a character’s age, vocal tone, and how a character acts in relationship to other characters. Once the initial narration is complete, the producer has to review the audio, listening for glitches or external noises or mispronounced words. Then, there’s the review by the rights holder, followed by narration changes and a second round of review. And finally , the producer has to actually create the audiobook, conforming to required technical specifications for each platform the audiobook will be distributed on.

I was astonished by the the amount of work involved and the number of roles an audiobook narrator and producer has. I also loved the backstory of how Ms. Broda got into the audiobooks narration and production business. Listen to the interview here to find out for yourself.

I’ll be interviewed in an upcoming podcast, so keep your eye on Small Publishing in a Big Universe to find out more.

Until next time,


Book review: Short fiction

Hey everyone,

This week I’m reviewing two short fiction pieces from one of Paper Angel Press’ imprints, Water Dragon Publishing. Both are works of speculative fiction, transporting readers to imaginative worlds. It’s an impressive feat, to create compelling characters and build a word in the space of just a few short pages, but both these authors have done a great job with this. I recommend you check out both of these short works.

Parrish Blue, by Vanessa MacLaren-Wray, is a story dreamed out of the author’s experience with the Maxfield Parrish painting, Dream Castle in the Sky. In a far distant world, in a distant time, a woman’s life is changed by a dreamer who’s traveled across galaxies to see the painting. This is a love story, the story of a woman taking a leap of faith, inspired by someone who loves art.

The main character, Sallie, is a waitress in an exclusive restaurant, catering to Earth’s elite. When an unlikely patron ends up at one of her tables, she mistakes him for a victim of a set-up, a prop in a drama who would end up footing the bill for an expensive and lavish evening of fine drinks and exquisite food. But she’s wrong, and over the evening, as she brings the man one extravagant course after another, she comes to realize that he’s here for a different reason: for the painting and only the painting.

My favorite sentence describes the high-tech rendering of the painting. I love how the author marries old and new in this sentence, and how the reader immediately knows they’ve entered a completely different world.

“Mar-El Parelli’s ten-by-sixteen meter rendition of Maxfield Parrish’s Romance glowed with an impossible luminous, shimmering light made possible by MicroFirm’s patented image-generation components.”

26 pages, published 6/28/21

The Third Time’s The Charm, by Steven D. Brewer, takes place in an airship, a cross between an ocean liner and a gondola like that of “Castle in the Sky”. The story’s protagonist, Revin, is an apprentice to a history professory, Professor Dirge, and they are travelling to a distant university. The airship is powered by tow lines attached to what are called “ethereal streams”, or air currents. The lines are controlled by “remmers” whose work is to master the currents so the airship stays on course and stable.

But the ship, the Madeline, is overrun by pirates, and Revin is pitted against the pirate captain in two life and death struggles. The third time the two adversaries meet, Revin has to make a decision. And, as the title reminds us, “the third time’s the charm”! Not only is this a great adventure story, a swashbuckling pirate tale, but the author also skillfully incorporates a secret about the main character that the astute reader can glean from carefully placed hints.

My favorite sentence describes the main character’s thoughts about the journey ahead:

“His mind’s eye returned to the captivating vision outside the airship window: the bondless ocean dotted with tiny islands; white clouds forming on the lee side of volcanic peaks in the afternoon sun; and the glowing blue tow lines of remmers, drawing them inexorably forward, toward an unfamiliar land and unfamiliar people.”

38 pages, published 11/22/21

I recommend you check out both of these short pieces.



Happy, happy!

Hey everyone,

I hope you are able to enjoy the end of the year and take a breather and celebrate life. It’s been a long year for everyone, and here’s wishing that 2022 brings a lightness and a hopeful future. I look forward to that!

For me, it’s the time of the year for reflection and for taking stock. 2021 has been a tough year emotionally, but on the whole, it’s been good too. I completed a lot of knitting projects! I went on a lot of fantastic hikes. My husband and I went on adventures. We were able to connect, in person, with friends and family. Such a joy!

As for books; it’s been a good year on that front as well. I’ve had a few great promotions on the eReader Cafe; the audio editions of the Shelby McDougall series were released; and I’ve picked up the blog again. All great things. And over the last few months, I’ve been ruminating on ideas for Shelby McDougall short stories, and have some plot lines churning around. So things are afoot.

Last year around this time, my publisher ran a campaign on gifts for authors, entitled “The best gift you can give an author is a review”.

I agree with that! I love reviews; I love reading them and I love writing them. I enjoy thinking about what I loved about a book, along with what the author was trying to convey. I like searching for my favorite sentence or phrase and sharing that with future readers. So, if you’ve read a book lately, consider leaving a review! You’ll make an author’s day, I guarantee it.

In any case, happy new year, happy holidays, happy celebrations!

Until next time,



Hey everyone,

I know you all know about podcasts, but I bet you might not know about the podcasts produced by Small Publishing in a Big Universe. The focus is everything and anything writing and publishing related. It’s a fairly new effort, having started in August of 2021. The podcasts are short, clocking in at just 15 minutes each. But they’re well done and interesting.

The first two podcasts were released in August and September 2021 and feature Steven Radecki, Managing Editor of Paper Angel Press, discussing the press and its imprints. Radecki outlines everything an aspiring author might want to know about publishing, from the submission process to contracts to editing and the mechanics of getting a book from manuscript to print. And of course, he addresses everyone’s least favorite activity, marketing!

This great start to the series was followed by author interviews. In November, we heard from Morgan Chalut and in October, from author Paul S. Moore. The podcasts introduce you to their work, their inspirations and writing habits, how they got their start, and their various quirks! In December, author L.A. Jacob will be interviewed.

In the new year, the podcast will feature narrator Jenn Broda (who narrated the Shelby McDougall audio books), an interview with yours truly (sometime next spring), as well as a panel discussion with several technical writers talking about differences and similarities between technical writing and fiction writing.

You can find these podcasts here and listen to them anywhere:

Hope you enjoy!



Book Review – Daily Fresh by Jory Post

Hey everyone,

I want to let you know about another gem from my publisher’s company. This one is called Daily Fresh and is published by the non-fiction imprint, Unruly Voices. It was written by Jory Post. It’s a set of seventy elegant essays that the author penned in the final months of his life. He embarked on this journey in the summer of 2020 after enrolling in a memoir and personal essay class taught by Dan White.

I can’t say enough about this book. I loved it. The essays are poignant, offering a rare, honest glimpse into a life. Nothing is sacred as the author probes into all corners of existence, examining, with love, humor and shrewd insight, both the interior and the exterior. I particularly liked the glimpses into author’s writing life: his routine, his goals, his lists, the submissions saga, the rejections, followed by the glorious acceptance emails.

I loved reading about the support he had along the way from other writers, both mega-published and un-published. And as someone for whom Santa Cruz is near and dear, I loved reading about his love for the area, from the take-out at Gayle’s to attending author readings at Bookshop Santa Cruz (pre-COVID naturally) to a celebration of the literary life in this small corner of the universe. I was also awed by how seamlessly the essays fit together, how well-written and tight they were, and how Jory wrote one, day after day, for seventy days.

The essays can be read in a few sittings, or taken daily, as the title implies. The essay topics will delight you. There are essays on baseball, extinct birds, deck-building, love, family, friends, chemo, COVID, cancer, words, therapy dogs, poker, golf, and night walking, among others. It’s a joyful book, full of love, brimming with laughter. Something inspiring for everyone.

Here’s the start of one of my favorites, “One Day at a Time”:

“Will I talk myself out of continuing to write these Daily Fresh pieces by beginning to think they are simply another form of navel-gazing? I hope not, because even though they are initially prompt-less, eventually a prompt appears that guides me forward into a near-stream-of-consciousness pathway that occasionally produces something of interest.”

The book: Daily Fresh by Jory Post, 332 pages, published October 25, 2021 by Unruly Voices. Available at all your favorite places.

Celebrating audiobooks!

Hey everyone,

One of my favorite things to do is listen to audiobooks. I listen when I’m in the car, when I’m cleaning the house, when I’m knitting, gardening, walking. Right now, I’m listening to the Sue Grafton Kinsey Milhone series, in order. I’m up to J is for Judgement. Some of my favorite narrators are Barbara Rosenblatt, Mary Pfeiffer, Simon Vance, and George Newbern. The performances, for that’s what they truly are, are incredible.

Now, I have a new favorite narrator to add to my list: Jenn Broda, the narrator of the Shelby McDougall series. I’m delighted to let you know that the trilogy has just been released in audiobook format. Ms. Broda brought Shelby’s story to life with a vivid complexity I hadn’t thought possible. As Shelby grew and changed throughout the series, so did the quality of Ms. Broda’s narration. She was able to age Shelby appropriately, giving voice to Shelby in her early twenties, late twenties, and mid-thirties. Listening to my words being read out loud by a professional was truly a joy.

I’d never given much thought to what it took to release a book in audiobook format. It’s quite involved. Ms. Broda, among others, provided a 15 minute sample as an audition. Her voice stood out as the obvious choice. Once a contract with Paper Angel Press was in place, I was asked to provide a character overview: who they were, their ages, their motivations and desires, their individual storylines. It took a while to prepare this, but it gave me the opportunity to dig deep into the timeline and provide some insights. In a few weeks, I received a 15 minute sample for Due Date, where Ms. Broda narrated a few pages here and there with different characters. It was perfect, I really didn’t have any changes to suggest.

And after that, we got down to work. About a month later I received a link to a shared folder with every single Due Date chapter, all 55 of them as separate files, along with the Acknowledgments, Introduction, and other front and back matter that goes in a book. My job was to follow along and listen to each word, noting every place (by time, chapter, and page) a word was missed or mispronounced; an extra word was inserted; or a dreaded typo discovered. Then, Ms. Broda would fix those glitches and upload the updated file which I needed to verify. Once Due Date was complete, the process would be repeated for The Stork and The Found Child. I was a bit nervous at first — would my words hold up? How about the stories themselves? Would I still enjoy them?

To my surprise and delight, I loved it! Listening to Ms. Broda’s narration was a pleasure. Her voice is smooth and bewitching, compassionate, empathetic. Her narration was perfect. And she voiced the tension masterfully; propelling me to listen to the next chapter and the next. At some points, I found myself so caught up in the story that I had to rewind and listen using my editorial ear.

To celebrate this milestone, the eBook edition of each book will be on sale this coming weekend, from November 18 – 30, priced at 99¢ each. Click here to open my website’s home page in a new browser tab to find out more about the books and where you can get them.

And if you want to go directly to the audiobooks format, they are at a reduced price for a limited time. Just click below to find to more and listen to a sample:

14 hours and 33 minutes
10 hours and 23 minutes
11 hours and 41 minutes
46 minutes

If you’re so inclined, you can look on the Paper Angel Press YouTube channel to find a snippet of me reading from The Found Child. I have to say, Ms. Broda’s narration is much better!

Thanks everyone! I hope you enjoy these audio editions as much as I did!